At last my Verbos Electronics modules arrived, allowing me to make a little proof of concept video of the Telstar Attaché Synth. It works a treat as you can see here. I don't really know what I'm doing with the modules yet. They're pretty complex and I haven't spent much time with them. But at least it gives an indication of how mobile and self sufficient the Telstar could be, given the right modules.
I'm playing it through a fairly crappy guitar amp here, into the camera microphone, so the audio quality isn't terrific. However, there's a pretty brutal spring reverb in there that suits the sound quite well.
Now to decide whether I'm keeping it or selling it...
Saturday, 17 May 2014
Saturday, 3 May 2014
Saturday, 8 March 2014
Having experimented with the lo-fi processing properties of the monotron delay, I thought I'd see how well this would sit in a mix. So, here we have the Roland SH3a once again being passed through the monotron delay, meanwhile the Juno 6 is being lavishly treated by the Strymon BigSky, the Ensoniq SQ80 is being mauled by the Yamaha REX50 and the Korg MS20 mini is just left to its own devices. There's a little bit of rhythm backing recorded into the SQ80's on-board sequencer and the rest is played live.
Oh, and just for a little atmospheric visuals, I thought it would go nicely with this picture of my car that I rolled a few weeks ago.
I've been really enjoying using the monotron delay as an effects processor. It adds instant dirt and grit to anything that's put through it. You have to be careful not to overdo it though, or everything sounds like an edition of Top of the Pops recorded off the telly with a cassette recorder. This is a sample of an SH3a being passed through the 'tron. The signal is taken from the Roland's headphone output and I love the way, as it drives the Korg to clipping, it spits and squeals and howls at the indignity of being fed through a mere toy.
Thursday, 20 February 2014
Just having a mess around in the studio with a recently acquired Strymon BigSky. I wondered what it might sound like with a bunch of things going through a choral setting together. This is a Roland SH-3a, a Korg MS20-mini, a Roland Juno 6, a Vermona Piano-Strings and a Hohner Pianet T all being subjected to the choral treatment. Meanwhile a Roland TR-626 is going through a Korg Monotron Delay. It was recorded, as a live improvisation (hence the questionable quality and dodgy timing), via the stereo line-in of a Zoom H1.
All in all it does end up being a bit too much of a good thing. It's an epic effect, but there's surely only so much chorale reverb you can apply before the whole thing descends into one BigNoise.
The Whole bloody choir by ununseptium_annex